Episode One: RED

Episode One: RED

EPISODE ONEcover_lowDue to the lockdown over the Coronavirus I found myself with more time than usual. this means that all the art, colouring, lettering and design for the first issue is complete. There will be an initial digital launch where you can read the issue online followed by a printed launch at some point soon. To keep up with the news about RED and all the info and behind the scenes news about the whole seven part project visit patreon.com/andrewwildman Many posts are free to view with just some of the more ‘secret’ stuff being for paying patrons for a very small fee. All support will help make this project happen and is very much appreciated 🙂

DON’T BELIEVE YOUR EYES

BBC’s new crime drama/thriller, THE CAPTURE. I had the pleasure of working with Director Ben Chanan on this amazing new show.

With the world of fake news that we now live in this one will strike a nerve. It has so many topical aspects to it while still at heart being a great tense and taut thriller. If you missed it, catch up on iPlayer.

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The Uninvited Guest

I guess a lot of you will know that I am and have been, for a long time, a Marillion fan. Who? Marillion. Look them up. Amazing band. (And anyone who mentions Fish gets a slap) 😉
About 16 years ago I came up with an idea for a graphic novel. It was designed to feature the lead singer, Steve Hogarth, as one of the main characters. It was in its early stages and I pitched it to the band and presented them with a sample page of artwork. Those early conversations went well. They invited me to their studio for a chat about it and Steve sent me some of the (in progress) lyrics for the new album they were working on, called MARBLES. The idea for the new album very much fed into the narrative of the graphic novel and it was going to feature many of these lyrics. Anyway, time moved on and in the end, we decided not to collaborate on it. I did eventually develop the book into something slightly different and self publish it and the book continues to do well. I was interviewed about it a while back for the Marillion fan magazine, THE WEB where I spoke about its development and how certain themes remained. In the opening pages, there are visual acknowledgements to the bands early influence. They published some images from the graphic novel in that magazine article but one thing I wanted them to include and that I searched high and low for, but could not find, was that original sample page. Today… I FOUND IT! Sitting in a box amongst a load of my artwork from my days working on books for Marvel Comics.

So, for those interested in this kind of thing, or comics or Marillion, below is a copy of that sample page followed by an image of the book that eventually (after a number of years) got released. Originally to be called The Uninvited Guest, the book ended up as Horizon. You can find out more about Horizon HERE.

 

 

Sample page for the proposed graphic novel, The Uninvited Guest.
The final Graphic Novel, HORIZON.

COMIC BOOK ART

X-15-06Having a rummage around the studio as for a long time I have been wanting to get pages of old Comic Book work onto the website. Just for view or sale. Currently up there are X-Men pages and Venom pages. Plenty more to get through but, its a start.
You can find them at andrewwildman.org/comics
#comics #comicart #xmen #venom

Darkly Pine.

Darkly Pine.

Today is ‘World Mental Health Day’ and I wanted to share something with you.
I have been an ‘artist’ for as long as I can remember. A Comic Book artist, a Concept Artist and now a Storyboard Artist. But in spite of thirty years drawing stuff I consider that I have only produced one piece of real ‘ART’ in my life. This…

So what’s the difference? I consider that all my other work is basically Illustration or problem solving. I love it and it uses the skills I have accumulated over the years. In it’s own way it is ‘Art’ but the piece above is something else. It comes from somewhere else.

20 years ago I had – for want of a better term – a ‘breakdown’. I won’t go into the reasons why but suffice to say, I shut down. I felt it impossible to engage with my life, my work, my relationships and ultimately myself. At that point I was referred to a counsellor and over the course of a year I looked at what it was that had me disengage from life. During this experience I produced this piece of art. What makes it very different from everything else I do is that it was completely spontaneous. I didn’t think about what I was doing. I had a very vague image in my head that I needed to get down. The image was in no way clear. Like it was in a fog or behind an obscured pane of glass. More of a feeling I guess or a half remembered dream. I found bits and pieces of board, metal, nails and paint colours that I just picked up intuitively. The black spilling over the edge of frame was intuitive. The white border on the top right side of the piece was intuitive. As was the placing of the nails, the small key (that I just happened to find) that hangs on the edge of the frame in the top right corner, the sections of wood that I used to make the frame etc. And the small square of vellum tacked in the middle on which I wrote a poem. The poem just fell out of my head and onto the paper. It is tacked onto the board back to front. And I knew, intuitively, when it was finished. I took it to my next counselling session. Now here is the thing that is absolutely key in this. My counsellor looked at it and asked me if it was ok if she said what she saw in it. I agreed and what she said to me was incredible. Everything that she described made perfect sense. It was clearly what was going on and I hadn’t even seen it. From that point on my journey back to myself began. 

So why am I telling all this? Well as I said, today is World Mental Health Day. I know from personal experience what it is to feel that pain. I also know what it is that makes the difference. The counselling gave me the opportunity to be really heard. A chance to say and express absolutely anything, with no fear of judgement. With that in place and the love and support of my wife, family and friends I was ok. So on this day and after please consider that anyone who you know or encounter that seems to be dealing with something only needs one thing to help them get back to who they really are. They need to be heard. Listen to them without judgement or agenda. You don’t have to have answers, or fix them or tell them what to do. Just authentically ‘hear’ them. If you do that you will be making a huge difference to the life of someone.

Colour test

Colour test

As the drawing of the panels slowly creeps forward on the new book, I thought I would pause and see what they might look like coloured up. As many of you will know, when I ‘coloured’ HORIZON I used a particular style that I had developed while working as a concept artist in the games industry. This time around I thought I would use a similar process but simplify it a bit. My intention is to make OXYGEN a colour book. HORIZON was deliberately cool in its tones and deliberately black and white for most of it. I didn’t want to have colour interfere too much with the subtle emotions of the piece. OXYGEN is a slightly different feel. I want very vivid, almost surreal colours for this one. I am sure you will see the Moebius influence on this. I was always open about the influence that Moebius had had on HORIZON and it is showing through on this book too. It feels like such a natural way to go with it and a very natural way for me to work. Flat slabs of colour with a few gradients, highlight and shadows. Anything more would probably over decorate it.

This scene seems to be the test piece that I have used for a couple of things now. It feels good to me. Might even offer it up as a print. Let me know your thoughts on that.

AW

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